Sample 3: Grade 12
Topic: Pop Music
Prescribed Learning Outcomes:
Structure (Elements of Rhythm)
It is expected that students will:
- compose, perform, and notate rhythms in increasingly complex metres
Structure (Elements of Melody)
It is expected that students will:
- apply increasingly complex melodic contour to their own compositions
Structure (Elements of Expression)
It is expected that students will:
- manipulate the elements of expression in their compositions
Structure (Form and Principles of Design)
It is expected that students will:
- compose music incorporating increasingly complex forms and principles of design
Thoughts, Images, and Feelings
It is expected that students will:
- compose music that represents a broad range of thoughts, images, and feelings
Context (Self and Community)
It is expected that students will:
- revise their compositions in response to constructive feedback
- critique music composed by themselves and others
Context (Historical and Cultural)
It is expected that students will:
- evaluate the historical, cultural, and stylistic influences in their compositions
- compose music for a variety of purposes, venues, and audiences
Applications of Technology
It is expected that students will:
- use increasingly complex technologies to create, reproduce, and manipulate music
- demonstrate an understanding of the physics and physical properties of sound
Overview
Students analysed and explored a variety of contemporary commercial music. They composed pieces of commercial music and presented their works to the class. Evaluation was based on pop music projects consisting of four parts:
- musical compositions
- accompanying scores
- accompanying productions of audio-visual materials
- presentations to the class
Planning for Assessment and Evaluation
Students had previously worked with a variety of audio technologies, including analog stereo tape decks, soundboards, 4-track analog tape decks, and 8- to 16-track digital recorders. They had studied the physical properties of sound and applied their knowledge to a variety of recording activities.
- The teacher showed approved videos of television commercials and clips from television shows, rock videos, and films. The class watched, first with the sound off, then again with the sound on. The class analysed and discussed the elements, purpose, and function of the music. Students worked together to develop the following criteria for commercial music:
- catchy tune
- interesting rhythmic activity
- effective instrumentation
- relevance--suggestive of the product or situation
- reminiscent of a period or style
- The teacher reviewed various forms of commercial music (e.g., voice-over, music with a visual message, message provided through lyrics). Students discussed and analysed the forms using the criteria they had developed.
- The teacher obtained an approved video that included a short commercial students had not seen before (e.g., an advertisement from another country). The teacher presented the commercial without sound. In small groups, students composed musical themes or motifs (maximum 30 seconds) to accompany the commercial.
- Students compared and critiqued the themes they had composed, then viewed the commercial with the original soundtrack. Each group developed a chart comparing its theme (motif) with the original. They presented their analyses to the class for discussion.
- To demonstrate their knowledge and skills, students were asked to individually choose commercial genres (e.g., television, film, video) and particular visuals (in some cases, these were created and videotaped by individual students), and compose short pieces of music for the visuals. Each student was also expected to produce a score for his or her music, along with a recorded audio-visual presentation. Before students began, the teacher reviewed the criteria for commercial music, along with criteria for scoring, audio production, and presentation. The class agreed on the following weighting for various parts of the assignment:
- musical composition: 50%
- score: 10%
- production of audio-visual material: 20%
- presentation: 20%
- The teacher provided assistance as needed. Students were also encouraged to seek peer feedback as they worked.
- Students presented their projects to the class for critique and discussion.
- After receiving feedback from their peers and the teacher, some students chose to add their projects to their professional portfolios.
Defining the Criteria
The class discussed the following criteria throughout the activity. The criteria for scoring and production of the cassettes and videos had been used in previous assignments.
Musical Composition
To what extent does the music feature:
- a catchy tune
- interesting rhythmic activity
- effective instrumentation
- relevance--suggestive of the product or situation
- evocation of a period or style
Score
To what extent is the score:
- prepared in standard notation
- neat, easy to read
- an accurate representation of the music
Production of Video
To what extent does the audio-visual material demonstrate:
- audibility
- good sound quality
- effective mixing
- synchronization between music and visuals
Presentation
To what extent does the student:
- prepare and operate all required equipment smoothly (Do delays or problems detract from the presentation?)
- provide a logical context for the music
- identify the historical, cultural, and stylistic influences in her or his composition
- invite and respond appropriately to feedback
Assessing and Evaluating Student Performance
The teacher assigned a rating for each of the four categories of the pop music project. Marks were weighted as agreed upon with students.
Pop Music Project
| Component | Weight | Rating
Self
Teacher | Comments |
Musical Composition
| 50% | | | |
Score
| 10% | | | |
Production of Audio-Visual Material
| 20% | | | |
Presentation
| 20% | | | |
Key:
5--Powerful: goes beyond requirements of task; meets all criteria at an outstanding level.
4--Proficient: meets all requirements of task; all criteria thoroughly demonstrated.
3--Satisfactory: addresses all requirements of task; most criteria demonstrated at a satisfactory level.
2--Partial: addresses some requirements of the task, but several criteria are not demonstrated at a satisfactory level.
1--Unsatisfactory: incomplete; inappropriate; may contain multiple and repeated errors.
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Maintained by: Fine Arts Coordinator - Music
Revised: January 25, 1999
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