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Responding to Dance

Opportunities for viewing live and recorded dance performances are integral to dance education. These opportunities enable students to become totally involved in dance--engaged visually, aurally, emotionally, intellectually, and physically.

Responding to the arts is an interactive process. Students bring their own varied perspectives and associations, including their unique cultural and personal backgrounds, to a presentation. Because of this, an atmosphere of trust and respect must be established. A safe and nurturing environment allows students to feel comfortable about expressing their personal opinions, knowing that their unique perspectives will be represented and will enhance other students' response experiences.

In providing opportunities for students to respond to dance presentations, teachers should consider and encourage a variety of aesthetic responses, including:

  • emotions--feelings evoked by the presentation
  • associations--with previous personal, social, and cultural experiences
  • intellect--analysis and interpretation

    The suggestions listed in the Responding to Dance chart can help teachers to structure formal response activities. These steps may be combined or rearranged as appropriate to each situation (e.g., students responding to their own work, to the work of their peers, or to professional presentations). Note that it is entirely appropriate for students to respond intuitively to a work without always having to provide an analytical qualification.

    Responding to Dance
    Preparation--establish the focus for viewing the work.
    arrow First impression--encourage students to respond spontaneously (no wrong answers).
    arrow Description--ask students to describe what they saw and heard.
    arrow Analysis of content and effect--encourage students to:
  • examine how the components (e.g., movements, performers, music, stagecraft) worked together to achieve certain effects
  • identify evidence of particular cultures, styles, or time periods represented in the work
  • use appropriate vocabulary to describe elements and techniques, form, and design
  • consider the expectations for the given context (e.g., Is this a final production or a work-in-progress? Student or professional? Live or video? What level of performance should be expected for the particular situation?)
  • arrow Interpretation--encourage students to:
  • reflect on and discuss what the work means to each of them
  • analyse how their responses are influenced by their own experiences and perceptions of the world
  • arrow Background information--provide opportunities for students to learn about the various contributors to the dance (e.g., performers, choreographer, producer) and the historical and cultural context in which the work was created and presented. This might include:
    • the origin of the dance
    • the purpose of the work (e.g., social, ritual, ceremonial, celebratory, occupational)
    • the political and physical geography of the creator's country of origin
    • the beliefs and customs of the culture or society
    • any historical events that might have influenced the dance
    • the symbolism, if any, used in the dance
    arrow Informed judgment--ask students to consider their first impressions and whether or not their initial opinions have changed as a result of discussions, research, and reflection.


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    Maintained by: Fine Arts Coordinator

    Revised: July 8, 1998

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