Learning Outcomes
Elements and Principles
Creating/Performing/Communication
The students had the prior knowledge of the elements of dance. This knowledge was attained through improvisation and compositional work. The choreographic tool of rondo was introduced in stages:
Defining Criteria
After discussion with the students it was decided that the criteria for assessing the finished work should include components of composition and of performance. In the composition component it was decided that the students would be given a group mark and would be evaluated on the past knowledge of elements of dance, as these elements form the basis for all movement pieces. In the performance component of the evaluation it was decided that the students would be evaluated individually and given separate marks from their group. For the final mark the weight of each component was decided to be composition - 60%, performance - 40%. Composition
During the creative process groups were provided with teacher feedback, peer-evaluation and an opportunity to reflect on videotapes of their work.
Product Evaluation (formal) The teacher evaluated the composition component by creating a rating scale that covered the criteria selected with students. The individual elements were evaluated separately-i.e., use of space (examples of changes in level, direction, pathways); use of time (examples of accent, slow, fast); variety of relationships established between dancers. A percentage of the final composition mark was given to the students' own evaluation of their groups. The performance component was also done by a rating scale that covered the criteria created.
Sample of Composition and Performance Evaluation Sheet: A Five Point Rating Scale was used
| Dancers: | |||||
| Clear use of the rondo form | 1 | 2 | 3 | 4 | 5 |
| Demonstrated original ideas and movements | 1 | 2 | 3 | 4 | 5 |
| Transitions between each phase (A, B, C etc.) | 1 | 2 | 3 | 4 | 5 |
| Use of space: | |||||
| changes in level | 1 | 2 | 3 | 4 | 5 |
|  changes in direction | 1 | 2 | 3 | 4 | 5 |
|  variety of pathways | 1 | 2 | 3 | 4 | 5 |
| Use of time: | 1 | 2 | 3 | 4 | 5 |
| demonstrated slow movement | 1 | 2 | 3 | 4 | 5 |
|  demonstrated fast movement | 1 | 2 | 3 | 4 | 5 |
|  movement was used to accent beats | 1 | 2 | 3 | 4 | 5 |
| Explored a variety of relationships | 1 | 2 | 3 | 4 | 5 |
| Dancers: | |||||
| Committment to the movement | 1 | 2 | 3 | 4 | 5 |
| Projection/Focus | 1 | 2 | 3 | 4 | 5 |
| Use of dynamics (where suitable) | 1 | 2 | 3 | 4 | 5 |
| Use of space: | |||||
| appropriate energy | 1 | 2 | 3 | 4 | 5 |
|  appropriate flow | 1 | 2 | 3 | 4 | 5 |
Province of British Columbia
Ministry of Education
Curriculum Branch
© 1995 Copyright
Maintained by: Fine Arts Coordinator
Revised: April 1995
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