
Visual Arts: Contemporary Issues and the Visual Arts
This sub-organizer contains the following sections:
Prescribed Learning Outcomes
Suggested Instructional Strategies
Suggested Assessment Strategies
Recommended Learning Resources
PRESCRIBED LEARNING OUTCOMES
It is expected that students will:
Elements and Principles
Creating/Performing/Communicating
- create/perform a work of art demonstrating an awareness and experience of several of the basic elements and principles of the discipline used
- create/perform a work of art demonstrating the use of the basic elements and principles of the discipline to communicate specific ideas, moods, or feelings
- create/perform a work of art demonstrating the use of strategies for developing an artistic image or idea
Perceiving/Responding/Reflecting
- develop the vocabulary for the discipline studied
- identify, describe, analyse, interpret, and make judgements about the basic elements and principles as used in a variety of art works
Personal, Social, Cultural, Historical Contexts
Creating/Performing/Communicating
- create/perform a work of art that reflects an understanding of the impact of social/cultural/historical contexts
- create/perform a work of art that communicates specific beliefs/traditions in response to historical/contemporary issues
Perceiving/Responding/Reflecting
- identify, describe, and analyse cultural or historical styles as represented in a variety of art works
- critique a work of art relating its content to the context in which it was created
- describe or demonstrate how a specific work of art supports/challenges specific beliefs/traditions, or responds to historical/contemporary issues
Expressing our Humanity
Creating/Performing/Communicating
- create/perform a work of art expressing the students' own ideas, thoughts, or feelings
- create or perform a work of art for a specific public need (e.g., advertising, public ceremony, or social cause)
Perceiving/Responding/Reflecting
- identify, describe, analyse, interpret, and make judgements about how ideas, thoughts, feelings, or messages are communicated in a variety of others' art works
- examine the tensions between public acceptance and personal expression in the art discipline being studied
SUGGESTED INSTRUCTIONAL STRATEGIES
Have students:
- use a variety of strategies, such as fragmenting, distorting, combining, or simplifying
- examine everyday objects in order to identify or describe:
- the relationship between form and function
- the structure of the object
- perspective
- expressive qualities
- real and invented context
- use themes from current events to create artwork that expresses their personal beliefs
- use memory and imagination to create artwork that evokes an emotional response
- research their own family or cultural history, and create an artwork that tells a story
- use an example from art history to create an artwork that interprets history in an original way
- study a theme from art history to understand the influence of the elements and principles of design on an image
- research artworks on themes similar to their own
- use poetry, lyrics, or descriptions as a theme for developing and creating personal imagery that unites word and image
- discuss the work of others, to develop fluency in the use of vocabulary of the elements and principles of design
- study propaganda or the influence of the media, and then create a group piece that demonstrates their collective opinion on a social issue
- combine found images, demonstrating the effective use of the elements and principles of design
- research the historical development of an art material
- role-play the job of a curator selecting works for exhibition
SUGGESTED ASSESSMENT STRATEGIES
- Use students' journals or sketchbooks as a record of their progress.
- Interview students to discover their understanding of their own creative process.
- Through reference to anecdotal records, assess students' contribution and commitment to a group experience.
- Conduct critiques so that students can reach conclusions about the effectiveness of the thematic works viewed. The critiques could consider:
- the artist's intent
- the social or cultural milieu in which the artwork was created
- the effective use of compositional devices
- the creative response to a theme
- Have students use prose or poetry to summarize their artistic intentions in an artist's statement to accompany their work.
- Have students revisit earlier efforts in order to compare and contrast changes in:
- fluency in image development
- technical skill and confidence
- their articulation of ideas
- their understanding of theme
- Have students evaluate their completed projects with reference to their success in making an original and effective visual comment on a theme.
- Assess students' defence of the choices they made for work to be included in an exhibition.
RECOMMENDED LEARNING RESOURCES
- Arttalk
- Looking at Paintings (Eyewitness Art Series)
Table of Contents
Province of British Columbia
Ministry of Education
Curriculum Branch
© 1995 Copyright
Maintained by: Fine Arts Coordinator
Revised: April 1995
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