
Drama: Voice and Improvisation
This sub-organizer contains the following sections:
Prescribed Learning Outcomes
Suggested Instructional Strategies
Suggested Assessment Strategies
Recommended Learning Resources
PRESCRIBED LEARNING OUTCOMES
It is expected that students will:
Elements and Principles
Creating/Performing/Communicating
- create/perform a work of art demonstrating an awareness and experience of several of the basic elements and principles of the discipline used
- create/perform a work of art demonstrating the use of the basic elements and principles of the discipline to communicate specific ideas, moods, or feelings
- create/perform a work of art demonstrating the use of strategies for developing an artistic image or idea
Perceiving/Responding/Reflecting
- develop the vocabulary for the discipline studied
- identify, describe, analyse, interpret, and make judgements about the basic elements and principles as used in a variety of art works
Personal, Social, Cultural, Historical Contexts
Creating/Performing/Communicating
- create/perform a work of art that reflects an understanding of the impact of social/cultural/historical contexts
- create/perform a work of art that communicates specific beliefs/traditions in response to historical/contemporary issues
Perceiving/Responding/Reflecting
- identify, describe, and analyse cultural or historical styles as represented in a variety of art works
- critique a work of art relating its content to the context in which it was created
- describe or demonstrate how a specific work of art supports/challenges specific beliefs/traditions, or responds to historical/contemporary issues
Expressing our Humanity
Creating/Performing/Communicating
- create/perform a work of art expressing the students' own ideas, thoughts, or feelings
- create or perform a work of art for a specific public need (e.g., advertising, public ceremony, or social cause)
Perceiving/Responding/Reflecting
- identify, describe, analyse, interpret, and make judgements about how ideas, thoughts, feelings, or messages are communicated in a variety of others' art works
- examine the tensions between public acceptance and personal expression in the art discipline being studied
SUGGESTED INSTRUCTIONAL STRATEGIES
Have students:
- demonstrate the use of the vocabulary used in voice and improvisation (e.g., pitch, rate, volume, blocking, side coaching)
- identify elements of storytelling and participate in varied storytelling activities (include stories from diverse cultures)
- present a choral interpretation of a piece of poetry
- present a scripted choral interpretation in small groups
- present a children's readers' theatre script
- videotape their presentation or perform live for an audience of children
- create a narrative with sound effects, using materials such as paper, styrofoam, metal, wood, and plastic
- prepare and present a sound plot
- create a combination of sound and nonsense poetry
- listen and respond to a dramatic reading of a soliloquy
- tape a radio play of their own creation
- present a taped anthologybased on a theme of their choice
- participate in large-group improvisations (e.g., in a railroad station, restaurant, hospital, or mall)
- improvise scenes based on lyrics from songs
- practise the skills of theatre sports
- participate in improvisations in pairs and small groups
- participate in role-dramawith the teacher-on-role
- create and present a short (5 - 10 minutes) theme-based anthology demonstrating learned skills
- explore history of a dramatic form focused on voice (e.g., storytelling, radio plays, choral reading, talking blues, poetry reading, sound plotting, vocal sound effects)
SUGGESTED ASSESSMENT STRATEGIES
- Test students' knowledge of the vocabulary used in voice and improvisational work.
- Evaluate students' vocal presentations (choral interpretation, readers' theatre, sound plot, etc.). Assessment criteria may include whether the student:
- shows technical skill
- exhibits an imaginative approach (e.g., seating arrangement, use of voice levels, voice change)
- is focused during the presentation
- is able to project his/her voice with good volume
- Evaluate students' improvisational work. Assessment criteria may include students':
- technical skills
- effective use of vocal and imrpovisational skills
- effective use of materials (e.g., sound effects, tape, voice quality)
- concentration on their roles
- ability to work well with the group
- Test students' knowledge of theatre sports.
- Observe students' skills during theatre sports games in small teams. Assessment criteria may include whether the student:
- stays in role
- builds on his/her teammates' ideas
- supports the team onstage and offstage
- follows the rules of the game
- Use self, peer, and teacher evaluation.
- Evaluate each student's anthology. Assessment criteria may include:
- the appropriateness of the material to the theme
- the choice of dramatic methods used to present ideas
- whether the student offers and accepts others' ideas
- the use of lighting, sound, costume, and set
- technical skill
- imaginative approach
- coherence
RECOMMENDED LEARNING RESOURCES
- Comedy Improvisation
- Complete Book of Speech Communication
- Readers Theatre Anthology
Table of Contents
Province of British Columbia
Ministry of Education
Curriculum Branch
© 1995 Copyright
Maintained by: Fine Arts Coordinator
Revised: April 1995
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